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How similar do the objects have to be? Excellent question! Read on to get the scoop.Ĭhoose Window?Magic Wand or simply double-click the Magic Wand tool to bring up the Magic Wand palette, as shown in Figure 6-6. Illustrator then goes out and selects all objects that are similar to the object you clicked. To use the tool, click the object, which can be either an open or closed path (for example, a square or a line). It automatically detects gaps and lets you paint as if they were not there.?Use the Magic Wand tool to make selections based on similarities in various object attributes - exactly the same or based on a range of settings. The Live Paint tool in Illustrator does this. That’s why I think Adobe ought to work on designing a ‘smart magic wand tool’… that could select imperfectly closed shapes. While the above sounds like a lot of work, it can go very quickly with many drawings. To preserve the artistic content of the original one draws a line in the very big gaps having no stroke or fill (invisible line)and then you use the live paint bucket. On the subject image, however, I can see that some of this is required. At any point you can automatically close the paths (but you cannot go back), change the settings to auto detect even larger gaps and try again. Usually, however it is an iterative process of painting some of the areas and then resetting the gap detection and painting again. If you like what you see you can just start painting. You will then see where the gaps are automatically found and fixed and the gap options dialog box will tell you how many have been found. Secondly, once you make a live paint group you have to have automatic gap detection checked (turned on) and you choice of predefined or custom gap sizes specified. For the subject image my guess would be to start with a preset and the one I would choose would be comic art. There are a boat load of parameters for this process. Here are some comment on the three steps needed.įirst, the Live Trace step must be done well. Like numerous Photoshop tools, the success of Illustrator tools like Live Trace and Live Paint are very image dependent and some experience helps. I can make a few quick comments, however. I doubt that I will get to trying the proposed method on that sample image this weekend. I just did a little playing around with your image, and the process is pretty quick and easy. When you’re finished, trash "Layer 2" and flatten. Repair "Layer 1" as needed with hand painting or erasing. While you’re working, occasionally turn off the visibility of "Layer 2" to inspect your work. Switch to "Layer 1" fill with your color of choice. Default tolerance of 32 should be good.Ĭlick with the Magic Wand tool within the area you just "closed in" with the Brush Tool.
![how to use magic wand tool illustrator how to use magic wand tool illustrator](http://www.photokaboom.com/images/Photoshop_Elements/selection_tools/3_selection_tools_3_categories/magic_wand_tool.gif)
Now, with your Magic Wand selected, make sure the boxes marked "Contiguous" and "Sample All Layers" is checked in the Options bar. Working in "Layer 2", use a small brush to draw lines which appear to close the gaps in the lines in your original drawing in "Layer 0". ("Layer 1")Ĭreate a new layer above "Layer 0" in the stack.
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I can’t believe Adobe hasn’t come up with something like this already.ĪLT+Click on the
#How to use magic wand tool illustrator free#
It was a free dowloaded program that I got once, way back around 1998. I KNOW that such a program exists… because I recall there used to be such a program. Photoshop will only select shapes that are 100% intact, so I wind up having to spend lots of time searching to repair broken lines before Photoshop selects just that one area.
#How to use magic wand tool illustrator series#
What I wish to do is scan a pencil drawing and then create selected shapes in a quick and easy method using a magic wand tool.īut it needs to be a magic wand tool that will select an area drawn from a series of broken lines. I work mostly in Photoshop CS, but I have been searching for a solution to a digital problem that I can’t quite seem to find using either Photoshop or Illustrator. I’m an illustrator… working in both digital & real artwork.